香港的一级历史建筑皇都戏院(英语:State Theatre|又名:璇宫戏院、皇都戏院大厦 State Theatre Building),屹立北角逾七十载,蕴藏了无数辉煌历史,亦是见证了香港城市变迁和电影文化的重要里程。自 2020 年被新世界发展收购后,便积极地展开了各种復修和保育工作。 阔别三年,皇都的未来发展蓝图终于首度曝光,可见新世界发展锐意将它打造成国际级保育大型综合地标外,另一瞩目焦点,必定是有英国着名建筑师事务所 WilkinsonEyre 参与其中!他们会怎样联手活化古蹟、融古汇今,推使其成为国际级的香港新地标呢?
WilkinsonEyre 曾为许多着名建筑及具有深厚历史意义的地标提供创意非凡的设计,作品遍布世界各地,屡获殊荣,包括英国伦敦国王十字区城市更新规划中的二级历史(Grade II listed)储气罐框架改造项目(King’s Cross Gasholders)和新加坡滨海湾花园(Gardens by the Bay)等,亦曾参与联合国教科文组织(UNESCO)内的世界遗产项目。其深度的剖析、饶富情感的设计及充满开拓性的思维,每每都让人们深受启发和影响。
是次活化皇都戏院项目意义重大,早前(12 月 13 日),WilkinsonEyre 总监及亚太区总部负责人 Matthew Potter 先生便现身于中环新世界大厦 HKGTA Town Club 出席研讨会,把皇都独特之处、规划理念及设计、未来价值等,仔细地向大众娓娓道来。 伴随着时代和社区需求的变迁,WilkinsonEyre 为提出了划时代的崭新建筑理念 —— 创建集生活、工作及玩乐于一体的「垂直文化城市(Vertical Cultural City)」,盼能打造一个真正的综合用途项目,将城市脉搏连成一线, 培育出更活力多元、与别不同的北角社区。
承借 WilkinsonEyre 对活化历史建筑的真知灼见,研讨会上亦会谈及从未曝光的活化方案设计及当中过程,让大家先睹为快。当中有不少令人拍案叫绝的部分,例如:在 WilkinsonEyre 眼中,皇都戏院其中一个吸引之处,正是那世界绝无仅有、天台的抛物线型桁架(俗称「飞拱」设计),所以在保留的前提下,将「飞拱」融入整体设计,保存历史文化质感。 诚如 Matthew Potter 所言,认为建筑必须保持生活和呼吸:「从 1952 年的璇宫戏院到 1959 年的皇都戏院,人们都试图将其改变得更好。所以我们希望能还原它过去的特点,并令其成为一个多功能空间,让人们可从不同的方式使用它。」 而这座国际级保育大型综合地标,不仅能向皇都戏院的辉煌史致敬、传承当中珍贵的历史意义,更能重现皇都昔日小上海情怀,并有机会为香港日后同类型项目奠下重要基础。
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